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Behind The Screens

by Jon Waterman
Volume 1, Issue 2
Volume 1, Issue 1
Special Features
D-VHS
Digital Projectction vs. 35mm
Multiple DVD Releases

FILMBRATS - REVIEWS

Wristcutters: A Love Story (**)
review by Jon Waterman

Zia is your typical depressed young adult type guy. Feeling less than content with his current life, he decides to end it all. He tidies up his room, goes into the bathroom and quietly slits his wrists. The next thing he knows, he’s working a new job in a new world. This netherworld is meant to house all those people who commit suicide. It’s a lot like normal life, “but worse.” You still have to eat and drink and make a living. But the land is barren and boring and no one has the ability to smile, although they can occasionally perform insignificant miracles. Well, it turns out that Zia isn’t so happy here either. But when word gets out that the love of his life followed him to this strange land of the damned, he starts his road trip quest to find her and be with her once again.

Alright, here’s my question. If Zia (played by Patrick Fugit) loved his girlfriend so much, why did he kill himself? All the flashbacks they show express nothing but a great, loving relationship between these two people. You never see anything that would suggest that things went awry. If she would make the afterlife worth living, wouldn’t she have made regular life worth living? I guess I just wanted to hear a concrete explanation as to why we watched the time-lapse suicide at the beginning of the film. Justify your non-existence. Oh, and try not to be such a terrible narrator while you’re at it

I also didn’t really understand why it had to be a road movie. I guess the traveling aspect helps solidify the relatively obvious connections to “The Wizard of Oz,” although I would have preferred something along the lines of “Defending Your Life.” I think he could have encountered just as many interesting characters in a more centralized location. That way we wouldn’t have those big lulls in the middle where we have sparse and uninspired dialogue while watching them slowly drive past the junkyard highway. Do appliances kill themselves too?

The answer to that is probably not, but evidently a dog did. When Zia meets someone new, we’re treated to flashbacks showing how these people ended up in this forsaken realm. It’s occasionally interesting and a nice touch to include, but it would have been slightly better if they would have shown how the dog ended up there, since that’s the only animal I remember seeing on screen. That’s sort of how the whole movie goes, though. It’s clever and it will keep your interest, but it really should be quirkier and not as predictable. Working at a place there called Kamikaze Pizza is good. Giving the entire world a blue tint is lame and cliché. Putting a black hole underneath the seat of the car they drive is clever. Going to that same gag over and over again is not so much. Ending the way it did is also pretty bad.

It takes a little bit too long for anything to really get going. As soon as Kneller enters the picture about half way through (played brilliantly by Tom Waits), the possibilities start to expand and the film becomes fun. I haven’t seen a golf course that cool since “Overboard.” But for as boring as it is, I still wonder if in certain respects, the picture actually glorifies suicide. That place didn’t look all that bad. People at least got along and life seemed to be simplified quite a bit. And love still exists in a place like that. It’s just dull. Almost too dull to watch. And predictable. And not as eccentric as it should have been.

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