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Behind The Screens

by Jon Waterman
Volume 1, Issue 2
Volume 1, Issue 1
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FILMBRATS - REVIEWS

Ringu (**1/2)
review by Jon Waterman

There’s a rumor circulating that says if you watch a certain video, you’ll die seven days later. As soon as the tape is over, a phone will ring and announce this fate to you. Normally, such things would be written off as a childish prank. But when Reiko’s niece is said to have been killed this way, she puts her investigative journalism skills to the test. Her first stop is to examine the tape for clues. Now she just might have seven days to solve the mystery and stop this threat once and for all.

The story (screenplay by Hiroshi Takahashi based on Kôji Suzuki’s novel) is rather ingenious. It’s an interesting take on the horror genre in that it’s also a murder mystery with a very prominent supernatural tone. In fact, the puzzle solving aspect of the picture probably takes precedent over any bone chilling. That doesn’t mean that the film won’t induce fear. Stress levels will be elevated, but not all the time. After the structure becomes more evident and the whole story settles down, you will too. It relies on a couple common scare tactics, but those don’t take hold.

The acting doesn’t really stick, either. Instead of rooting for Reiko (played by Nanako Matsushima), I was rooting for the tape. She’s just too screechy and annoying. There’s a lot of screaming and yelling, and not all of it seemed motivated. Both her and the man who plays her ex-husband (Hiroyuki Sanada) add that authentic B-movie quality to their delivery. The performances aren’t stiff, but they are hardly dynamic or powerful. It’s not quite overacting (however close). It’s just blah.

The same can be said for Hideo Nakata’s directing and Junichirô Hayashi’s cinematography. The visual side seemed a little uninspired. The videotape looked nice, but is surprisingly short. The black and white, grainy home movie look added greatly to the creepy feel. Otherwise, the scenes are dark and clichéd – take dank, pale green environments and flood them with deep shadows. There’s just not enough there to really make it pop.

But for as much as I’m bashing the film, it’s not all that horrible. It may not be the most inventive horror film, but by today’s standards, it lends an air of freshness in a suffocating genre. The story is interesting to watch and for once the path a horror movie takes isn’t entirely predictable. It could have been scarier, but ultimately, the film is fun and sometimes even fascinating. Just make sure you have caller ID before you watch and don’t answer the phone if you don’t recognize the number.

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